Cotton Kingdom, 1833–1865
Gideon Lincecum moved to Mississippi in 1818. He brought his family, which included his wife Sarah Bryan, two small children, his parents, some siblings, and a few enslaved African-Americans. They settled initially along the Tombigbee River and helped establish the town of Columbus, Mississippi.
The Lincecums were part of the hundreds of other new settlers traveling west from the Carolinas, Georgia, and Alabama during the first two decades of the 19th century. The number of Americans moving west then was so great that historians refer to the movement as the Great Migration.
The history of Mississippi’s capitals and capitols involves several towns and nearly a dozen buildings. Throughout Mississippi’s territorial period and well into its statehood, choosing a permanent capital and securing adequate meeting space for government officials were constant struggles.
Rosalie mansion, which sits high on a Mississippi River bluff in Natchez, Mississippi, is one of the city’s most historic homes.
The WPA Slave Narratives are interviews with formerly enslaved people conducted from 1936 through 1938 by the Federal Writers’ Project (FWP), a unit of the Works Progress Administration (WPA). Both the FWP and its parent organization, the WPA, were New Deal relief agencies designed by the administration of President Franklin D. Roosevelt to provide jobs for unemployed workers during the Great Depression.
From the time of their first arrival in Natchez, enslaved people resisted bondage. Slavery existed in Natchez beginning in 1719 and continued through French, British, Spanish, and finally American rule. Then, in 1863 in the midst of the Civil War, U. S. President Abraham Lincoln signed the Emancipation Proclamation, and in 1865 the Thirteenth Amendment abolished slavery.
In the decades prior to the American Civil War, market places where enslaved Africans were bought and sold could be found in every town of any size in Mississippi. Natchez was unquestionably the state’s most active slave trading city, although substantial slave markets existed at Aberdeen, Crystal Springs, Vicksburg, Woodville, and Jackson.
During its first half century as a territory and state (1810-1860), Mississippi was an agrarian-frontier society. Its population was made up of four groups: Native Americans, White people, enslaved people, and free Black people. All four groups were present in Mississippi from its territorial beginnings.1
The music called the blues that emerged from Mississippi has shaped the development of popular music in this country and around the world.
Turn on the radio. You might pick up some rock with some tough guitar riffs – or some rap. But put on Robert Johnson’s recording of “I Believe I’ll Dust My Broom,” and you’ll hear it all – set down in the 1930s by a man who combined elements of the music he heard with the genius that he got from God knows where – maybe the devil, if you want to believe the legend.
George E. Ohr (1857-1918) has been called the first art potter in the United States, and many say the finest. Ohr was born in Biloxi, Mississippi, the son of young German immigrants, Johanna Wiedman and George Ohr. Both Alsatians, the Ohrs had moved to Biloxi after a brief stop in New Orleans, their port of entry in 1853. George Ohr Sr. established the first blacksmith shop in Biloxi and later opened the first grocery store there. His son, George Edgar Ohr, would grow up to be a flamboyant, dedicated potter and a memorable figure in his hometown.
While other American Indian women such as Pocahontas and Sacajawea have been afforded mythic stature in the annals of American history because they were seen as the benefactors of men, Chickasaw Indian Betsy Love remains largely unknown, even in the state of Mississippi.
